The exhibition curated by Treti Galaxie, a nomadic project founded by Matteo Mottin and Ramona Ponzini, features a series of sculptures titled ‘I’m sitting here on the ground so I’ll remember it as a nice atmosphere’ or ‘The difficulties of a form to move away from the stereotypes it evokes’, creating a dialogue with new videos by the artist.
The films are inspired by the way in which the nucleus of the cinematic and narrative message is expressed through sceneries, showing geometric landscapes and segments of places that are evoked on a dreamlike level – halfway between a filmic memory and a prophetic dream.

The sculptures are made out of silicon, epoxy resin, every-day use objects and electronic components. The structure of the works are inspired by the postures that many people, among which young artists, adopt when wanting to feign nonchalance: how they crouch, how they lean, the way in which they hold handbags and cigarettes while seemingly looking for something or someone.

These artworks originate from the will to investigate the modality of human observation, and stem from a research that is, in part, inspired by the variety of reactions and changes that have recently flooded society on a global level. In The Vernal Age of Miry Mirrors, the artist adopts abstraction and figuration as tools to trigger and, at the same time, confuse the mental mechanisms that emerge in spectators who find themselves experiencing an unforeseen event.